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Originally Posted by mbz180 Haritji, As far as I remember, my grand dad told me that his father had a Napier too. Regards Prithvi |
We were talking about existing Napiers in India. There were more, survivors are rare. The Nizam himself had more, as did many other Maharajas. Many even came for the Durbar.
I have been talking to a lot of participants and visitors about their take on the Cartier event. Basically it did not live up to its promise, showcasing the best cars in India. This is also what is being talked about in the international scenario. Cartier, it seems relied entirely on the curator, who it seems lost the plot. India is still known for the fine cars left behind after the mad export rush, and India is also known to make a mess of things when politics come into play. Some background info is necessary to fully understand what has happened here.
For this event, the category of Indian modified cars was dropped. Yet many cars suitable for this category were present, the WO Bentley, the RR PI and the Morgan. These cars should not have been here.
Two new categories were introduced, preservation class and Indian Heritage cars. This was a back door created to allow really silly unworthy cars to be showcased in India's (so called) finest event.
Take the preservation class. Why was there a Rolls P III with only spots of paint on it? Why was there a repainted DeSoto which had some interiors of another car fitted into it? India has a very suitable car for the preservation class in the form of a Mercedes 500K. Why was this not here? Is the curator not aware of this car? Is Gondal so much further away from Dungarpur to worry about transportation cost? The answer lies probably in the fact that this 500K had featured in two books of a so called "rival" historian. How sad and cheap, a let down for Cartier and the visiting public in general.
Then the Indian Heritage class. What was this supposed to represent? My guess is cars assembled in India. So we have Standard Vanguard and Hindustan 14 is a Cartier event
No disrespect to the cars, but why not the Indian assembled Chevy 1934 restored by our DKG which would have been far more pleasing to the eyes. Is he now a rival as he has started restoring cars?
There are other strange situations which are not clear. Karl commented about the black E-type, the body did not look right. Well, that car was originally a coupe and is a chop top, highly inappropriate for a Cartier event. And sadly, there is a very original car in Bangalore belonging to Doc which, incidently was used as a template for this creation. Why Doc's car was not invited is a puzzle.
Then there is the case of the three 1947 Caddy's. Why three, are there no other cars around? The job of the curator would have been to see both the 1947 Caddy's himself and selected the better car.
The two Avons, sorry, nothing personal, but these cars needed more than just a face lift, one was still all askew, the best looking Avon in India is lying in Mangalore and would have been a much more deserved entry.
That Morgan, why oh why when you are showcasing India's finest cars?
There were so many errors. All participants were requested to give history of their cars How could gross errors creep in such as:
Nizam Car is 1912, not 1911.
Packard was not a Super 8
Studebaker coupe wrongly identified.
It is also very interesting to note who the entrants were, and who was kept away. This you go figure on your own, really not difficult.
A couple of years ago the curator attended an event in Mumbai, saying that he was there to see the cars as he was making selections for the next Carier event, a top sectret at that time. The cars present which were newly restored and shining examples and Cartier-worthy were a Lanchester, Packard and Graham. Strangely none of these cars were invited. That Lanchester with its "picknic" folding chairs would have been one of the most suitable cars for this event. And why not Mallya's Alvis?
An arguement often used was that the budget was tight, so transport cost was an issue, so cars were selected more from northern India. A very good reasoning which falls apart when you consider that a DeSoto and Avon were transported from afar. I do not know whether the black E-type was stationed in Delhi or far away, but the Bangalore car has far more class.
Some folks were being charitable and say that the curator took on too much and was over burdened. Tha may be so, then Cartier should consider giving extra help. How they can afford such a poor show is beyond me. Did they not have reasonable aspirations and goals for such a "grand" event? I wonder whether the returns were justified.
The lack of interest of the general public is apparent, see how long it took for pictures to come up, see the limited number of posts on this thread, note that this thread is not parked.
I was also told that many cars looked good in photos, but bodywork is wavy when seen from close up. This I cannot comment on as I was not present physically. If this was an event from which one car is to be taken to Pebble Beach, then that was the Stutz. This was the car selected by most TV crews to have as a backdrop when doing interviews.
Let us see what the future holds for such events.
The comments made above do not imply that every car was bad, every entrant was non deserving, no, derving cars and entrants were be there. It was unfair to them to put their cars into such a circus like event. And it is the negatives which stood out, many cars and their entrants had no reason to be there other than being eligible for being cronies. Merits flew out of the window. Not much can be expected when some cars were invited as late as January 2011.
And notice the attempt to showcase family artists with Cartier monogrammed plackards, can we expect these paintings in Cartier showrooms in future? That was wicked, only wicked when compared to the hype and letdown of the show. Cartier events can only go up from here.
The Mumbai event was far superior, had better cars, generated lots of excitement. Almost all I spoke with agreed with this.
Cheers harit