Dune 2
Rating: 9/10
For a long time, the Dune series of books by Frank Herbert was considered impossible to bring to the big screen. It is considered a seminal piece of science fiction, clearly showcasing “The Chosen One” series of storytelling that we have seen in innumerable hit movies (like Star Wars). Frank wrapped the prophecy of a savior in a hostile environment with it’s unique culture and customs. Power-hungry politics, mind-controlling witches, Sand Worms – everything is here in a cauldron that constantly churns these main characters into conflict.
When I first read the novel a decade back, I was awed by the world that he had built. I saw only the trailer of the 1984 movie which was horribly bad. It seemed that, yes, this novel is perhaps not filmable at all.
I soon noticed that a new director was bringing in truly spectacular content. Denis Villeneuve’s
Sicario was a terrifying and spellbinding movie that seemed to bring in some of the old-school film magic (I am not a fan of Disney’s ultra-commercial superhero franchise). He soon followed that up with
Arrival, a poignant and well-presnted movie not just about alien contact, but also parental loss. I did read the original essay by Ted Chiang, but felt that somehow the movie had surpassed the book in it’s presentation. What I loved was that there was again an authentic touch without making this look cartoonish. Finally,
Blade Runner 2049 was the most beautiful sequel to the 1982 version.
Therefore it was with considerable thrill that I anticipated
Dune (2021) and in my mind, it did not disappoint. Most of the movie was an extended introduction, so it was very clear that the real action would be in the sequel.
What I love about
Dune 2 is that it retains the signature magic of Denis’ previous hits. The way Chani (Zendaya) disbelieves Paul (Chamalet) when he claims there are oceans of water where you can dive, instead of sand, is instantly relatable to a person who has seen only sand dunes her entire life. The Fremen culture is completely obsessed over conserving water at any cost, thus their spit to make coffee (or to make peace) is a sacrifice. The sandworms are deadly, but the Fremen have harnessed them to travel vast distances of Arrakis and fight against their marauders.
The casting was superb. Timothee and Zendaya are well complimented by Stellan, Josh Brolin, Rebecca Ferguson & Javier Bardiem. Rebecca, in particular, shone throughout as the manipulative mother and mind warrior. Javier’s constant reminding everyone that Paul was the Messiah was a sort of caricature to those who believe blindly in omens and prophecies, and it provided unintentional comedic relief. Heck, it even became an internet meme!
However, I did feel that some characters were not so good. The veteran Christopher Walken did not really have much of an impact as the Padishah Emperor, which was strange considering how fearful his retinue of Sardaukars were. I was sorely disappointed by how Dave Bautista became just a raging goon shouting all the time. This was especially painful given how Denis extracted such a memorable performance from him in
Blade Runner 2049. And Austin Butler put in an earnest attempt, but the movie attempted to wrap up his character quickly, and he became just another typical villain (though the gladiatorial scene in glorious monochrome was a treat to watch on the big screen).
In terms of costumes, it was again excellent. Fremen wear their stillsuits close to their body, while the Bene Gesserit witches prefer loose, sometimes colorful, robes and gowns. Paul riding his first Worm in the desert was filmed with palpable tension and complimented brilliantly by Hans Zimmer’s score.
What we have here is an auteur showcasing one of his best ever craft. I absolutely loved the movie, and am waiting with bated breath for
Dune Messiah.