The VisionS' design team was led by Jozef Kabaň who was adamant that the car needs to have a soul. For that, Skoda looked within its Bohemian roots. You associate Bohemia with its famous lead crystal. Bohemian crystal allows for inventiveness in terms of interpreting reflections and surfaces. Crystalline objects, whether a diamond or lead-glass, are viewed with emotion. It was decided to incorporate aspects of crystalline detail into the concept. The analogy was that, crystal glass is like engineering with a human touch.
An example of modern Bohemian crystal:
(
source)
During the early 20th century, cubism had influenced art in a big way. It found its way into Czech architecture too. If you look at modern Prague architecture, it is quite apparent, featuring various edges and corners to emphasize the form.
Keystone office - Prague:
(
source)
The first visual statement is made by the front grill and bonnet:
Yes, the grill is in your face! It has been exaggerated in order to give the car some character. Has a thick chrome frame and is curved. The teeth sure give it a lot of bling:
I have been reliably told that a variation of the normal butterfly grill will make it into production instead:
Note the power dome on the bonnet. Another carry-over from the Superb, but slightly more accentuated:
Crystalline treatment of the bonnet logo:
LED Headlights – these will be a four-eyed design. It reflects both, the cubism & the crystalline surfacing:
See how the fog / driving light is mounted higher in the bumper than normal. A neater variation of the original Yeti's high-mounted spotlights! I like the “hooded effect” that gives a slightly mysterious & evil look to it. Various angled surfaces come to play to make the front-end distinctive. Take away the grill and you see how the foglight housing reflects the lighting pattern in its surface:
Free of foglights, its chin gets the crystal treatment as well:
The bonnet is a design element that has been carried forward from the Superb. The lack of bonnet shut-lines enhances the reflective surfaces. The bonnet shut-lines meet at the top of the headlights and continue as part of the crease running across the length of the car:
An abstract treatment of the traditional C-shaped rear lights. Yes, it is so abstract that you'll only notice it in the pitch dark. I didn't, until it was pointed out to me:
Let’s take a step back and look at the overall profile. The profile seems to originate from the VAG stable at a glance. I watched the car revolve on the turntable and it became evident that the details are more apparent when the VisionS is viewed at obtuse angles.
Look closely and you'll see the squared wheel arches reflecting traditional Czech architecture. The manner with which the creased waistline sweeps to the rear and creates a slightly lipped rear end adds to the character. Note the swagged surfaces below the door. A lot of the car's bulk is hidden by blocked-out lower panels:
Roof line slopes downward, making it look sportier. Hope it doesn't affect headroom in the production version:
Flush-fitting retractable door handles:
Touch them and the handles pop out. They retract 60 seconds later. You might find them challenging if you're looking for a quick getaway
. Too expensive to make it into production:
Funky rims are meant to signify motion & carry the philosophy of surfacing yet again. I don't think they'll make it to production; at best, a toned down version will be opted for: