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Originally Posted by amitk26 This sounds interesting can you please elaborate how to use the color correction sheets or if it is too long to explain please provide pointers from the web |
What you achieve by taking colour correction sheet photos, is the colour profile of the sensor at that time. To elaborate if the colour profile is same (or nearly so) between two shots, then all the photographs taken between these two shots can be corrected for colour using software.
Unfortunately colour correction is usually provided with RAW processing software, and not for JPG. Otherwise if you are proficient with software coding, you can easily write code which would map the colours of a reference sheet to you photograph, and you get correct colours.
With film the colour profile was in the film, and was constant in a batch. With DSLR, various issues crop up and most are time dependent - sensor temparature, dark current drift, shot noise, ambient temparature etc. So your correction carried out at the beginning may not hold for the last shot, hence the requirements that you keep calibrating at intervals.
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Originally Posted by Ho0ligaN Hey thanks for trying to explain, I know that 50mm on FF is 80mm on APS-C, and 10mm on APS-C is 16mm on FF. I wanted to know why I can't take similar looking pictures if both can be compared. I am not looking to go eye ripping wide, I just want to know if I can attain 16mm kind FF pictures with a 10mm focal length on a crop sensor body. |
The shots may cover the same field, but the perspective changes. Further as the pixels in a smaller sensor are smaller than those in a larger sensor, the colour saturation and sharpness is better in a larger sensor, assuming that the lenses are of similar quality. This is usually not so, as smaller sensor cameras normally use "relatively cheaper" lenses to control costs.
So to answer you query, YES you may get same scene, but the quality will differ, at times drastically. Also note that for landscape the idea is to get maximum pixels, so that you can print large, hence a larger sensor is not only desirable but at times necessary. (may be that is one of the reasons that a lot of professional landscape photographers use 40MP or larger sensors!)
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Originally Posted by livyodream Guys, need some explanation/ advice here.
I'm trying to imitate the Bokeh produced by canon 50mm 1/8 (referring pictures from internet) on my kit (18-55) lens and it is more or less impossible to get it.
Does it mean it is possible only with a prime ? I have 55-250 IS which gives decent bokeh on a long end. But i am looking for some bokeh on a close end.
Im not good with techincal jargon's, hope someone understood what i am trying to say |
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Originally Posted by arunsasi Its impossible to get f1.8 bokeh on the kit lens which is f3.5 wide open. You should get the 50mm lens which is the best vfm lens you can find |
The "bokeh" describes how an out of focus image will be drawn by the lense. Amongst other things the bokeh is dependent on the lense aperture diaphram design and to lesser extent the lense optical design. Some lenses give excellent bokeh, while others very bad. Hence you cannot expect one lense to duplicate another lense's bokeh! For further explanation
Bokeh - Wikipedia, the free encyclopedia